Austin, Texas casting guide
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Find your next role in Austin.

Browse current film, commercial, student, industrial, and voice-over opportunities across Central Texas—then learn who casts here, what Austin jobs pay, and where local actors train.

Updated todayFree to submitUnion and non-unionLocal hire and travel roles

We do not have a verified, open casting call for Austin on the board right now. We only publish notices we can stand behind — check the full board, which updates as new notices arrive.


Austin production rates

What does acting work in Austin pay?

These are rates seen in real Austin postings during August 2026. They are not promises or averages, but they give local actors a practical benchmark when reviewing an offer.

Observed on live Austin postings · August 2026

Real rates, real jobs

Narrative short filmIndependent, non-union, one to three days
$200 / day
Commercial backgroundNon-union, local hire, 12-hour day
$300 / day
Industrial / corporate principalNon-union, one-day shoot
$400 / day
Voice-over, national campaignNon-union · three-hour session · plus 20%, and a further payment if used in the final edit
$750 +
Reality / unscripted contestantSeven shoot days
$3,500
What the spread tells you: the day rate is not the story. A $300 background day and a $750 voice session are both non-union Austin work — the difference is usage. Anything with a broadcast life pays for that life, and the session fee is the smaller half.

Two things to check on any Austin offer

Is it a 12-hour day? Several local background rates are quoted for a twelve-hour call, which changes the hourly maths considerably.

Is it local hire? A large share of Austin postings say local hire only, meaning no travel, no lodging, and you are expected to arrive as though you live here.

Union rates are set nationally by SAG-AFTRA agreement and are not market-specific — see the union section below.

Austin casting community

Who casts film and commercial work in Austin?

Most city guides tell you to check a national platform. Here is the more useful version: two working casting offices operate out of the same building, and one of them runs the background arm as well.

Austin Studios · operated by Austin Film Society

1901 East 51st Street

Austin, TX 78723

Beth Sepko CastingCSA · Emmy-winning

Suite 201. Operating since 2003. Has cast for Taylor Sheridan, Robert Rodriguez, Richard Linklater, Mike Judge, John Ridley and Mimi Leder.

512-472-5385
Third Coast ExtrasBackground arm

Sepko's background casting operation — same address, same phone. This is the route into background work in this market.

512-472-5385
Vicky Boone Casting

Actively casting national commercial work in Austin. Casting associate: Chantel Italia. Recent projects include apartment, financial and pharmaceutical campaigns.

Suite — verify

Also in that building: Detour Filmproduction, Richard Linklater's company.

Why CSA membership is worth checking

Casting Society of America membership is a real, verifiable credential. It is the cleanest single way to tell a working casting office from a business selling you access — and it takes one search.

Find local opportunities

Where does Austin casting work get posted?

We would rather you find the job than only look here. These are the channels that carry real Austin notices.

Student films in this market post with the director and producer named and shoot dates attached. They pay little or nothing, but they are the most accessible credits and footage available in Austin.

Know the market before you move

Four honest answers about acting in Austin

The Sheridan slate is not casting out of Austin

Taylor Sheridan shoots a great deal of Texas television, and almost all of it is North Texas — Fort Worth, plus towns like Ferris and Granbury. That work casts through a DFW office. If you are in Austin hoping to be seen for it, you are in the wrong half of the state.

See the Dallas–Fort Worth page →

Austin has the reputation and the smallest city incentive

Texas cities stack their own rebates on top of the state programme, and Austin's is 2.5%. San Antonio and Houston both offer 10%. That is counter-intuitive and it is worth knowing before you assume Austin is where the money goes.

You are in the Houston-Austin union local, not Dallas-Fort Worth

Texas has two SAG-AFTRA locals and the line runs between Austin and DFW. Yours covers "Austin to Corpus to Houston and back" — houston@sagaftra.org. An Austin actor and a Fort Worth actor are in different locals of the same union in the same state.

The cost-of-living question is the real one

Austin was, for years, the answer to "where can I build a career without New York rent." That has changed materially, and it is the question every actor here is actually weighing — against Dallas, San Antonio and Atlanta, all of which are cheaper. Run your own numbers on rent before you move for the reputation, because the reputation is older than the current prices.

Build your Austin acting network

Classes, headshots, and representation in Austin

Businesses working in this market. Inclusion is not endorsement, and we sell coaching ourselves — apply the same tests to us.

Training
Representation

External links and details checked 28 August 2026. Inclusion is not endorsement.

The one sentence that protects you

SAG-AFTRA franchises agents, not managers. Managers are neither franchised by the union nor, in most cases, regulated by state law. And a real agent earns commission on work you book — never a fee from you up front.

Quick answers

Common questions

Do I have to drive to Dallas or Houston for work?

Not for what casts locally — commercial, industrial and independent film all cast in Austin, and San Antonio is eighty miles if you want to widen the net. Dallas is 195 miles and Houston 165, which are trips rather than commutes.

How far outside Austin do shoots go?

Regularly out to Bastrop, Lockhart and San Marcos. Check whether a posting pays as distant or expects you to arrive as a local hire — most Austin notices specify local hire only.

Do I need an agent to work in Austin?

Not to submit here, and not for a great deal of the non-union commercial and industrial work. Representation widens what you are seen for; it is not the gate.

What kind of work does Austin actually get?

Commercial and industrial make up the reliable volume, with independent film, student productions and a steady voice-over market alongside. Large studio series are the exception rather than the pattern.

Let Austin opportunities come to you

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