Chapter 11 of 17
Self-Tape Audio: Mics and Room Setup That Get You Heard
If a casting director can't hear you clearly, your performance doesn't matter. If they can't hear you, they can't hire you.
Video Lesson — Coming Soon
Taught by a working acting coach · Watch this space
“If I can't hear you, I'm not moved by you.”Heidi Miami Marshall
Choosing Microphones
- Lavalier Mic (Clip-On): Attaches to your clothing — great for smartphones and cameras
- Shotgun Mic (Directional): Mounts on your camera, focuses on your voice, reduces background noise
- Built-In Mics: Can work well in a quiet space, but most actors notice an immediate upgrade with even a simple external mic
“Most cameras have a good built-in microphone for audition purposes. But for excellent sound, a separate mic — either on-camera or a lav — is a great idea.”Heidi Miami Marshall
Room Setup
Silence everything before you roll. TVs, fans, heaters, phones, even noisy pets. Quiet on set — always. Soft furnishings (rugs, curtains, sofas) absorb echo. Hard floors and bare walls create room sound. A bedroom or carpeted room is often better than a large open kitchen.
Before Every Tape
Silence everything — TVs, fans, heaters, phones, even noisy pets. "Quiet on set." Always run a quick sound check. Your levels should hover around –12dB to –6dB.
Want Will to Coach You Through It?
Reading is one thing. Working 1-on-1 with a working actor who booked Oppenheimer is another.