“Screenshots”
Harper, 15, has walked across the school parking lot to confront Bella — her best friend, who shared a private screenshot of something Harper told her in confidence. Harper isn’t here to scream. She’s here to end it.
Don’t. Don’t do the face — the confused one, like you don’t know why I walked all the way over here. You know exactly why.
Everyone in third period had it by lunch. The screenshot. The thing I told you at the sleepover, in the dark, at two in the morning, when I trusted you more than I have ever trusted anybody.
And the worst part isn’t even that they know. It’s that you were laughing. I saw you — at the far table — laughing like I was the funniest thing that had ever happened to you.
I keep waiting to get angry. And I’m just standing here realizing I don’t actually know you. I made you up. I built a whole best friend out of nothing, and you let me.
You can have the group. You can have the lunch table. I’m not going to scream and I’m not going to post anything. I’m just going to go be someone who tells the truth — by myself, if I have to.
Delete it, Bella. Not even for me. So that maybe, someday, you can still be a decent person.
How to Play It
Objective: to get Bella to understand what she did — and to walk away intact. Harper wants an acknowledgment she probably won’t get, and she chooses her own dignity when she doesn’t.
The turn: “I made you up.” The hurt stops being about the leak and becomes about the loss of the friendship itself. The final line converts the wound into something like strength.
Betrayal at fifteen is real, not melodrama — play the stakes for exactly what they are to her, no more, no less. Avoid sneering; the power is that she stays wounded and steady at once. Keep Bella specific and present.
Who it suits: a teen actor who can hold real feeling without tipping into hysteria. A grounded one-minute dramatic piece for girls with authentic teenage stakes.
Want Will to Coach You Through It?
A monologue is a two-person scene where the other person never speaks. Working it 1-on-1 with a working actor is the fastest way to make it land.