Chapter 16 of 17

How to Slate an Audition (the First 10 Seconds That Matter)

In acting, a <strong>slate</strong> is how you introduce yourself directly to camera before your scene begins — your name, the role, sometimes your representation. For a self-tape audition, your slate is the first 10 seconds a casting director sees. Make it confident, clear, and professional.

Video Lesson — Coming Soon
Taught by a working acting coach · Watch this space

To slate for a self tape, follow casting's instructions exactly — every project specifies what they want. Generally, deliver your audition slate directly into camera in a medium shot, stating the required information clearly and confidently in your natural voice.

How to Deliver Your Slate

  • State your name clearly — first and last
  • State the role you're reading for (if asked)
  • State your agent/representation (if asked)
  • For a full-body slate: step back far enough to show head to toe, then step back into your close-up mark for the scene
  • Smile naturally — your slate is a first impression, not a mug shot

What NOT to Do

  • Don't rush through it — take a breath, then speak
  • Don't look away from the camera during your slate
  • Don't do your character voice or physicality during the slate — be yourself
  • Don't add commentary ("okay so here's my take…")

Your slate tells me who you are before your performance tells me who your character is. If you slate with confidence and ease, I already trust you.Will Roberts — Acting Coach & GotAuditions.com

Types of Slates

  • Close-Up Slate: Head and shoulders — standard for most auditions.
  • Full-Body Slate: Requested when physicality matters for the role (stunts, dance, physical comedy).
  • Profile Slate: Requested occasionally, showing left and right profiles.

Always follow the specific instructions for the project.

Remember

Treat your slate like the first line of the scene. It's still performance — just performed as yourself.

Practice with this tool
Audition Recorder
Record and re-record your slate and scene in one place until the first ten seconds land exactly right.
Open Audition Recorder

Want Will to Coach You Through It?

Reading is one thing. Working 1-on-1 with a working actor who booked Oppenheimer is another.